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By Peter Napolitano
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When I entered Michael McQuary’s studio apartment in Greenwich Village, I stood there thinking, “Where’s my program?” For this accomplished actor and award winning cabaret artist lives in an environment as theatrical and inventive as the worlds he creates on stage and film. An array of exotic artifacts (ancient oriental weaponry, Egyptian sphinx, small tapestries that would have done Scheherazade’s boudoir proud) immediately caught my level eye. Looking up, I noticed that the ceiling consisted entirely of broken pieces of glass arranged in a mosaic of daunting intricacy.
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By Andrew Martin
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Nearly two decades ago, when the animated children's series "Rugrats" was at the height of its popularity on the Nickelodeon Channel, and subsequently the big screen, one critic referred to the character of Angelica as "the beastliest child on the American airwaves since Nellie Oleson." And indeed, comparisons between the two could easily be drawn, even though one lived in the pre-millennium and the other in the mid-nineteenth century. However, the utter and unending ballsy gall of both proved a mix of horror and delight for children and adults week after week.
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By Scott Barbarino
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Got talent? The Metropolitan Room is still accepting inquiries from singers as possible contenders in the third annual MetroStar competition. The announced deadline to be considered is June 30. Winners have a golden opportunity; an all-expenses paid run at the prestigious nightclub, including publicity, professional guidance and a CD recording of the show. All chosen participants have the chance to be seen and sing for New York audiences, who will cast their votes along with the permanent and guest judges.
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By Andrew Martin
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At the very end of a New York theatrical season that has been self-admittedly dismal at the least, it is truly both shocking and pitiful that Bob Andron's comedically-wondrous play, White's Lies, has been closed with seemingly no warning after promising to remain into July at the earliest. The script infused a true breath of fresh air into the New World Stages (340 West 50th Street, a multi-box complex which also houses Avenue Q and Naked Boys Singing) and not only brought such long-missed actors as Tuc Watkins and Peter Scolari back to the New York scene, but provided a dynamite showcase in which the legendary Betty Buckley was permitted to strut her stuff without singing a note and prove her depth as a non-musical thespian.
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By Andrew Martin
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One of the most telling aspects of celeb-psychic John Cohan's book, Catch A Falling Star, is that at one point he claims that he's never been in his line of work to make money. Which is a blessing, because if this book is any indication of his ability as a communicator on the printed page, he'll hardly be raking in the chips. Published by Black and White Enterprises (which the author claims to be a small publishing faction in the Pocono Mountains, although no information is available online or elsewhere about same),
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By Scott Barbarino
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In its latest in a series of free seminars for its members ($10 for non-members), MAC, the Manhattan Association of Cabarets and Clubs, will explore the topic of reviews and reviewers, with a panel of several of those critics. “The Reviewers Speak Up!”-- It’s this Saturday afternoon, June 26, at 2pm at the Metropolitan Room.
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By Rob Lester
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Words, like blades, can cut you to the quick. And “quick” in adjectival form was the length of the limited run of Pen Knife, but its impact has stayed with me, and I’d love to see this intriguing drama return. A pen knife can be a knife to sharpen a quill pen or a knife blade hidden in what appears to be a pen. Either is appropriate for the world of those 19th century French writers, Arthur Rimbaud and Paul Verlaine, and their dysfunctional, competitive, addictive and abusive relationship, included injuries to the skin with that item that gives its name to the play. And what a play it is: the toying of cat against mouse, the hope against hope, the rebellions against societal expectations.
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By Andrew Martin
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The simple truth is, one has to hand it to a performer for having the gargantuan chutzpah to appear in a major club, in a major city where she's almost a complete unknown, and bill herself as a superstar. So it goes with Canadian cabaret artist Sharron Matthews. And if her show at Joe's Pub had ever faltered, just for a blessed minute, the outcome would have been unconscionable. It is, therefore, a joy to report that not only was this show a complete and utter triumph on all counts, but serves as testament to the fact that a chanteuse as riveting and brilliant as Matthews proved on this night should wholeheartedly be welcomed to New York and elsewhere with unabashedly open arms.
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By Penny Landau
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John Willis, editor of Theatre World and Screen World for more than 45 years, died on Friday, June 25, 2010, at the age of 93, at his home in Manhattan, of complications from lung cancer. Willis, acknowledged as one of America's most important theatre and film historians, was also the longtime producer of the Theatre World Awards, given to actors for their outstanding Broadway and Off-Broadway stage debuts.
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By Sandi Durell
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The Little Sisters of Hoboken are back where they started in this 25th Anniversary revival of Dan Goggin’s celebrated musical. After debuting as a cabaret show at the Duplex in Greenwich Village, it transferred to the Cherry Lane Theatre in 1985, where it currently has been reinstated as part of the theatre's Heritage Series. After a good ol’ Mt. St. Helen’s cheer, the impertinent, irreplaceable nuns are, once again, up to their antics of putting on a benefit to bury the four remaining sisters, from the original 52, who fell over dead into their soup, poisoned by Sister Julia, Child of God, while these five were off playing Bingo. The four deceased sisters are currently stuffed in a freezer awaiting their final resting place.
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By Lucy Galliher
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Chanteuse Gabriele Tranchina celebrated her CD, A Song of Love’s Color, at Feinstein’s on June 13, 2010. With her in the band were Joe Tranchina, pianist and composer, Santi Debriano, bass, Renato Thoms, percussion and Grammy-award-winner Bobby Sanabria, drums. Gabriele came onstage in the same bright red dress that she wore on the cover of her CD, and had a sparkle in her eyes as she sang the opening number in French, “Chante Comme Si Tu Devais Mourir Demain,” (“Sing as if you would die tomorrow”). Although she is German-born, Gabriele has no trouble singing in a variety of languages; hence, this music might be categorized as “World Music,” although it is heavily influence by a Latin beat.
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By Scott Barbarino
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Les Paul on Joey Reynolds Show at age 90
"I met Joey by way of radio.... Russ and I were on the Tappan Zee Bridge and I always listened to WOR.... Along comes the new guy.... Joey Reynolds.... And he's talking about 'Too bad Les Paul isn't with us....he passed on, you know' .... So I get to a pay phone at the end of that bridge and I call him and said 'I'm not dead....Who and what are you?'" - Les Paul
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